{"id":15,"date":"2010-01-15T10:51:06","date_gmt":"2010-01-15T10:51:06","guid":{"rendered":"http:\/\/www.saxnoir.com\/site\/?p=15"},"modified":"2011-08-25T17:41:44","modified_gmt":"2011-08-25T17:41:44","slug":"thats-a-switch","status":"publish","type":"post","link":"https:\/\/www.saxnoir.com\/site\/?p=15","title":{"rendered":"That&#8217;s a switch!"},"content":{"rendered":"<p>The Pacific Symphonic Wind Ensemble and the Vancouver Saxophone Ensemble are joining forces for the Joy of Sax concert at Evergreen Cultural Center in February.  I&#8217;m a member of both ensembles, playing bass clarinet with PSWE and baritone sax with VSE.  However, my student James Chen who plays bari with PSWE cannot make the gig, so I am covering his part, and my colleague Jamie Henderson from the sax ensemble will be the guest bass clarinetist with PSWE.  <\/p>\n<p>It was wierd indeed to hear someone else on the part at rehearsal last night.  Despite the sax section being featured in this performance, I felt a twinge of regret.  After 24 years as PSWE&#8217;s low clarinetist, that voice just feels like it should be mine!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Pacific Symphonic Wind Ensemble and the Vancouver Saxophone Ensemble are joining forces for the Joy of Sax concert at Evergreen Cultural Center in February. I&#8217;m a member of both ensembles, playing bass clarinet with PSWE and baritone sax with VSE. However, my student James Chen who plays bari with PSWE cannot make the gig, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-15","post","type-post","status-publish","format-standard","hentry","category-general"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7zTpS-f","_links":{"self":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15"}],"version-history":[{"count":1,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/15\/revisions"}],"predecessor-version":[{"id":16,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/15\/revisions\/16"}],"wp:attachment":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}