{"id":17,"date":"2010-03-19T06:13:53","date_gmt":"2010-03-19T06:13:53","guid":{"rendered":"http:\/\/www.saxnoir.com\/site\/?p=17"},"modified":"2011-08-25T17:42:31","modified_gmt":"2011-08-25T17:42:31","slug":"nixon-in-china","status":"publish","type":"post","link":"https:\/\/www.saxnoir.com\/site\/?p=17","title":{"rendered":"Nixon in China"},"content":{"rendered":"<p>Well, I&#8217;ve done the unthinkable&#8230;loaned an instrument!  An emergency for a fellow Conn Selmer artist who is playing the opera this week, the amazing Francois Houle.  He had borrowed a bass clarinet that cracked in rehearsal and I loaned him my spare.  It is an amazing instrument only slightly less stunning than my main bass&#8230;both are Selmer Privilege models, the best two out of the six that showed up to the Vancouver Clarinetfest a couple of years ago. Hope it lasts the run of the show!<\/p>\n<p>Francois says it is a freaking Ferrari. He took a couple of Legere signature reeds with him and reports they are working great.  David Branter, another legend playing the show, was over a few days earlier and took some tenor and bari sax Legere reeds with him, also appreciating them.  What I appreciated was David&#8217;s Rousseau 6R Bari mouthpiece, so I ordered four of them.   <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Well, I&#8217;ve done the unthinkable&#8230;loaned an instrument! An emergency for a fellow Conn Selmer artist who is playing the opera this week, the amazing Francois Houle. He had borrowed a bass clarinet that cracked in rehearsal and I loaned him my spare. It is an amazing instrument only slightly less stunning than my main bass&#8230;both [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-17","post","type-post","status-publish","format-standard","hentry","category-general"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7zTpS-h","_links":{"self":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/17","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17"}],"version-history":[{"count":1,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/17\/revisions"}],"predecessor-version":[{"id":18,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/17\/revisions\/18"}],"wp:attachment":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=17"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=17"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}