{"id":200,"date":"2011-09-22T10:15:08","date_gmt":"2011-09-22T17:15:08","guid":{"rendered":"http:\/\/www.saxnoir.com\/site\/?p=200"},"modified":"2011-09-22T10:17:14","modified_gmt":"2011-09-22T17:17:14","slug":"200","status":"publish","type":"post","link":"https:\/\/www.saxnoir.com\/site\/?p=200","title":{"rendered":"Antigua Backun: Morrie does it again…"},"content":{"rendered":"

Morrie Backun is making the bodies for an intermediate clarinet in his Vancouver plant and they have wonderful keyword installed in the Antigua plant in China. \u00a0What a collaboration! \u00a0This is a magnificent instrument. \u00a0The clarinet is wonderful by itself, but I have put a MoBa cocobolo bell and barrel in the case, as well as a Grenadilla Backun 9 bell (which is not available anymore, a real heavyweight bell with a darkly warm sound), a Cocobolo Fatboy barrel and four different Backun Protege barrels. \u00a0Talk about pimping your ride! \u00a0(If that is not enough, I also have a Leblanc by Backun resin Bliss clarinet for outdoor work and have a MoBa bell and barrel, a wooden Bliss bell and barrel and four more Protege barrels in THAT case….I’m just a sucker for lots of tonal options….)<\/p>\n

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Morrie Backun is making the bodies for an intermediate clarinet in his Vancouver plant and they have wonderful keyword installed in the Antigua plant in China. \u00a0What a collaboration! \u00a0This is a magnificent instrument. \u00a0The clarinet is wonderful by itself, but I have put a MoBa cocobolo bell and barrel in the case, as well […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-200","post","type-post","status-publish","format-standard","hentry","category-general"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s7zTpS-200","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=200"}],"version-history":[{"count":4,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/200\/revisions"}],"predecessor-version":[{"id":207,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/200\/revisions\/207"}],"wp:attachment":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}