{"id":21,"date":"2010-08-07T07:29:47","date_gmt":"2010-08-07T07:29:47","guid":{"rendered":"http:\/\/www.saxnoir.com\/site\/?p=21"},"modified":"2011-08-25T17:44:15","modified_gmt":"2011-08-25T17:44:15","slug":"more-reed-revelations","status":"publish","type":"post","link":"https:\/\/www.saxnoir.com\/site\/?p=21","title":{"rendered":"More reed revelations"},"content":{"rendered":"<p>The new Rico Reserve Classic clarinet reeds designed by Mark Nuccio of the New York Philharmonic are the best cane reed I&#8217;ve ever played.  The cane itself is as fine a quality as I&#8217;ve ever seen and Mark&#8217;s design is responsive, warm and ringing in sound with superb articulation.  I gave all my other reeds away&#8230;.what more can I say?  I mentioned them to the divine Erika Block a few days ago&#8230;and she was already on them!<\/p>\n<p>Even more exciting&#8230;there is a Bass Clarinet version and I&#8217;m awaiting samples to test.  <\/p>\n<p>&#8230;.and&#8230;.my samples of the new Legere Alto Sax Signature reeds arrived two days ago.  They are as magic as the Tenor reeds and I have 42 more of them on the way!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The new Rico Reserve Classic clarinet reeds designed by Mark Nuccio of the New York Philharmonic are the best cane reed I&#8217;ve ever played. The cane itself is as fine a quality as I&#8217;ve ever seen and Mark&#8217;s design is responsive, warm and ringing in sound with superb articulation. I gave all my other reeds [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-21","post","type-post","status-publish","format-standard","hentry","category-general"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7zTpS-l","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/21","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=21"}],"version-history":[{"count":1,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/21\/revisions"}],"predecessor-version":[{"id":22,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/21\/revisions\/22"}],"wp:attachment":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=21"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=21"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=21"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}