{"id":648,"date":"2018-06-08T11:56:50","date_gmt":"2018-06-08T18:56:50","guid":{"rendered":"http:\/\/www.saxnoir.com\/site\/?p=648"},"modified":"2018-06-08T11:56:50","modified_gmt":"2018-06-08T18:56:50","slug":"vandoren-does-it-again","status":"publish","type":"post","link":"https:\/\/www.saxnoir.com\/site\/?p=648","title":{"rendered":"Vandoren Does It Again!"},"content":{"rendered":"<p>I just received the new Vandoren BL5 Baritone Saxophone mouthpiece from Vandoren Canada, and like the AL5 and TL5 it is an instant winner. &nbsp;All three of these new models are darker and a little more contained than their &#8220;4 series&#8221; brothers, but not as &#8220;polite&#8221; as the &#8220;3&#8217;s&#8221; in the Optimum Series. &nbsp;For me, that is ideal. &nbsp;I have been playing the the BL4 ever since it was released and it&#8217;s gorgeous tone has had plenty of approval from world-renowned saxophonists who have been mentors to me&#8230;but&#8230;I&#8217;ve always had to &#8220;throttle back&#8221; just a little because of the amazing presence of the BL4. &nbsp;There have been similar issues with the AL4 and TL4. &nbsp;That has made these mouthpieces ideal first professional mouthpieces for students because they will &#8220;stretch&#8221; to jazz applications until the students are ready for true jazz mouthpieces (frequently the V16 A6, the V5 T45 and&nbsp;<em>always&nbsp;<\/em>the V16 B5!!) &nbsp; &nbsp;Now my recommendation for all students will be the AL5, TL5 and BL5, followed within a couple of months by the excellent Vandoren Jazz mouthpieces. &nbsp;<\/p>\n<p>For me, this morning was a revelation as I put the BL 5 through it&#8217;s paces on Bach Cello Sonatas and Max Bruch&#8217;s Kol Nidrei&#8230;repertoire I consider custom made for the classical Baritone. &nbsp;The slightly smaller tip opening, extremely long &nbsp;facing curve and wider side and tip rails combine to give the BL5 more resistance, a slightly darker colour and a little smoother sound than the BL4. &nbsp;It&#8217;s just what I had hoped for&#8230;just 10% off the top end! &nbsp;I had to scrape reeds a bit more at the base to get full ease and response on the bottom end&#8230;very normal with a longer facing curve. &nbsp;I&#8217;m ordering a spare today for students to try! &nbsp;Thanks, Vandoren for your great products and great support! &nbsp;<a href=\"http:\/\/www.saxnoir.com\/site\/wp-content\/uploads\/2018\/06\/BL5.jpg\"><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-647 aligncenter\" src=\"http:\/\/www.saxnoir.com\/site\/wp-content\/uploads\/2018\/06\/BL5.jpg\" alt=\"\" width=\"314\" height=\"1000\" srcset=\"https:\/\/www.saxnoir.com\/site\/wp-content\/uploads\/2018\/06\/BL5.jpg 314w, https:\/\/www.saxnoir.com\/site\/wp-content\/uploads\/2018\/06\/BL5-94x300.jpg 94w\" sizes=\"auto, (max-width: 314px) 100vw, 314px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I just received the new Vandoren BL5 Baritone Saxophone mouthpiece from Vandoren Canada, and like the AL5 and TL5 it is an instant winner. &nbsp;All three of these new models are darker and a little more contained than their &#8220;4 series&#8221; brothers, but not as &#8220;polite&#8221; as the &#8220;3&#8217;s&#8221; in the Optimum Series. &nbsp;For me, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-648","post","type-post","status-publish","format-standard","hentry","category-general"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7zTpS-as","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=648"}],"version-history":[{"count":1,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/648\/revisions"}],"predecessor-version":[{"id":649,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/648\/revisions\/649"}],"wp:attachment":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=648"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=648"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}