{"id":884,"date":"2020-05-03T08:47:45","date_gmt":"2020-05-03T15:47:45","guid":{"rendered":"http:\/\/www.saxnoir.com\/site\/?p=884"},"modified":"2022-05-05T12:35:32","modified_gmt":"2022-05-05T19:35:32","slug":"jodyjazz-custom-dark-tenor-knocks-it-out-of-the-park","status":"publish","type":"post","link":"https:\/\/www.saxnoir.com\/site\/?p=884","title":{"rendered":"JodyJazz Custom Dark Tenor knocks it out of the park!"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"432\" height=\"191\" src=\"http:\/\/www.saxnoir.com\/site\/wp-content\/uploads\/2020\/05\/Custom-dark-1-1.jpg\" alt=\"\" class=\"wp-image-885\" srcset=\"https:\/\/www.saxnoir.com\/site\/wp-content\/uploads\/2020\/05\/Custom-dark-1-1.jpg 432w, https:\/\/www.saxnoir.com\/site\/wp-content\/uploads\/2020\/05\/Custom-dark-1-1-300x133.jpg 300w\" sizes=\"auto, (max-width: 432px) 100vw, 432px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"437\" height=\"159\" src=\"http:\/\/www.saxnoir.com\/site\/wp-content\/uploads\/2020\/05\/Custom-dark-2-1.jpg\" alt=\"\" class=\"wp-image-886\" srcset=\"https:\/\/www.saxnoir.com\/site\/wp-content\/uploads\/2020\/05\/Custom-dark-2-1.jpg 437w, https:\/\/www.saxnoir.com\/site\/wp-content\/uploads\/2020\/05\/Custom-dark-2-1-300x109.jpg 300w\" sizes=\"auto, (max-width: 437px) 100vw, 437px\" \/><\/figure>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Jody does it again.   After establishing a stellar classical saxophone mouthpiece division using his proprietary CHR Chedeville rubber, he has now used the rubber for a jazz tenor saxophone mouthpiece for the very first time.  When played softly, it reminds me strongly of Stan Getz.  John Coltrane said &#8220;Let&#8217;s face it&#8211;we&#8217;d all sound like that if we could,&#8221; and who are we to argue with Trane?  When you go for it in a big band or commercial setting, it will stand up to the brass and amplified instruments as well as any mouthpiece out there.  I don&#8217;t know of any other mouthpiece that can inhabit both those worlds so well. The Chedeville classical mouthpieces Jody designed have made a clean sweep on my Soprano, Alto, Tenor and Baritone, and I told him the Custom Darks will do the same for my jazz setups.  Bravo, Jody, and keep &#8217;em coming!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jody does it again. After establishing a stellar classical saxophone mouthpiece division using his proprietary CHR Chedeville rubber, he has now used the rubber for a jazz tenor saxophone mouthpiece for the very first time. When played softly, it reminds me strongly of Stan Getz. John Coltrane said &#8220;Let&#8217;s face it&#8211;we&#8217;d all sound like that [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-884","post","type-post","status-publish","format-standard","hentry","category-general"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7zTpS-eg","_links":{"self":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/884","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=884"}],"version-history":[{"count":3,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/884\/revisions"}],"predecessor-version":[{"id":1367,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=\/wp\/v2\/posts\/884\/revisions\/1367"}],"wp:attachment":[{"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=884"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.saxnoir.com\/site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}